7 Tips to Ace Your School Author Visit

April has seen Aussie Owned and Read talk about all things marketing. So far, the focus has been on online marketing strategies, but today I’d like to take a look at a face-to-face strategy particularly useful for YA authors – school visits.

IMG_3261 by Kian McKellar via Flickr https://flic.kr/p/qzBhBH

Image by Kian McKellar Flickr CC

“Word of mouth is the best kind of marketing there is”

In my role as a high-school teacher librarian I have been lucky enough to attend numerous school author visits. Authors LOVE to talk about their books, BUT there’s no quicker way to send a class of teens into a coma than to wax lyrical about every detail of your publication journey and current book baby. There’s a good chance most of your audience haven’t even read your book, so your mission is to make your story sparkle brighter than Edward Cullen on a cloudless midsummer scorcher and give them good reason to give up six to nine hours of watching funny cat videos on YouTube to want to read it.

So, how do you grab their attention, you ask?

Make connections. Establishing a relevant context for students by drawing connections between your experience and the students’ can leave them with a more rewarding experience. Try these ideas:

1. Tie into the syllabus content covered in class. Speak to the group’s teachers / teacher librarian before the visit and ask about the units the class is currently studying in different subjects. You’d be surprised where you can find crossover content to help make your novel’s subject matter relevant. English, yes, but also, History, Science, PDHPE.

2. Talk about your research. High school students are familiar with different research strategies for school assignments. Ask about their surprising / funny / unexpected research experiences then tell them about yours:

  • How did you go about your research?
  • Did you go anywhere special?
  • Did you meet / interview anyone in particular?

A visiting author I once saw had a hall of ninth graders in the palm of her hand when she told them about the time she was set on fire (under controlled conditions!) in the name of research.

3. Unpack the revision process. Talking about the evolution of your manuscript and all the challenges along the way can be effective if discussed in the context of the students’ creative writing.

  • Bring visuals of marked up pages – scrawls and scribbles of red by you and suggestions by your editor.
  • Show students the different stages of editing, allowing them to see all the work that goes into the finished product. If nothing else, the English staff will love you, because you’ve vindicated them in their constant mantra of ‘writing is re-writing’.

Image by Laura Ritchie via Flickr CC

Now, all this talking is fine and good, but to make your author visit a success you’ll need to balance your gabbing with something else, namely …

Less words, more action. One repeated negative piece of feedback I hear from students and teachers is that the author spent most of the session talking at them. To mitigate your audience tuning out, try the following:

4. Break up your presentation into segments. Five to ten minute segments are best, each with a different focus but with clear transitions linking one to the next.

5. ‘Activity’ is king. Involve your audience as much as possible!

  • Got a YA fantasy involving martial arts? Have students learn some basic martial arts moves.
  • Got a YA contemporary featuring dance? Get the kids grooving with a ten second dance routine.
  • No martial arts or dancing in your novel? No problem. Pick a bunch of students to act out a short scene from your book while you read out the excerpt.

Anything that involves the audience will make for a better experience. Even something as simple as …

Props and visuals. Everyone has a dominant learning style, be it visual, kinesthetic or auditory, so it’s good to include visual and hands-on material in your author talk, such as:

6. Slide-shows.

  • If you’re reading out a passage from your novel, have a slide-show ready to help set the mood or introduce the physical setting.
  • You could show pictures (hello Pinterest!) of your ‘cast’ of characters using actors.
  • Share images or video related to your research – people, places, activities.

7. Relevant props.

  • So your novel features martial arts, but your attempt at a roundhouse kick is likely to land you in emergency? Bring in a mannequin dressed in a dobok instead and show some video footage you came across during your research.
  • Is your novel a YA historical? Try to source some replica artefacts linked to your story that students can touch and examine.

The idea is to bring alive aspects of your story world to spark your audience’s interest.

Black Beauty by Carol VanHook

Image by Carol VanHook Flickr CC

If you include props and visual media, make sure your audience has plenty of opportunity to be involved, and you draw connections between your writing and their experience, you’re set for a successful author visit.

But how exactly is one successful author visit a marketing tool, you ask? Teachers and teacher librarians have wide reaching professional networks and word of mouth is the best kind of marketing there is. One successful author visit will likely result in invites from other schools.

Let us know what has and hasn’t worked for you when visiting schools. Leave your comments below.


Kat Colmer AuthorKat Colmer is a Young and New Adult author and high-school teacher librarian who writes coming-of-age stories with humour and heart. She lives with her husband and two children in Sydney, Australia. Her debut YA is due out with ENTANGLED TEEN in August 2017. Learn more on her website, or come say hi on Facebook, Twitter and Instagram!

Marketing 101 with Sara Hood

Hey – if it’s what you celebrate – ‘Happy Easter’! I do, and as always we had a lovely time easter bunnywith family. Happy times and happy memories.

Today I will also be announcing the winner of my giveaway! But first, something way more exciting! Read on! 

So, we keep saying but in case you missed it: over here at Aussie Owned & Read, we’re talking about MARKETING this month. Now, I’ve been around publishing for a l-o-n-g time and when I was first pubbed, marketing wasn’t such a big deal.  Your publisher took care of most of it.  But now? Oh wow – where would I begin to elaborate…

Actually I didn’t. Begin, that is.   It took me three seconds to realise I needed help. So, I went to the woman I believe is the bomb for marketing. When prepping for an extensive workshop at RWA a couple of years ago, she  worked with Harlequin author Sarah Mayberry in an experiment to demonstrate how her methods would work.   In one month they grew Sarah’s email list by 900. Not just 900 names – but 900 invested followers/readers.  900 invested readers/followers = 900 extra sales. Plus back sales.

Sara Hood

Sara Hood

Here’s what she had to say:

Hi Sara, I know you’re amazing and inspirational 😉 , but maybe not all our readers would know that. Can you tell us what you do?  

Thanks for that wonderful rap!  My background is in marketing communications. I’m originally a Brit who was offered the chance to work in Australia for three years by my then-employer but within two weeks I knew I was born to live here and wasn’t going back!  That was almost 30 years ago and now I’ve married a local, become a citizen and consider myself a true Melburnian.  I’ve worked with and for companies like DuPont, Yamaha Music, Sony and Ericsson, but like many these days I now wear several hats. I run a business that manages associations in the creative industries, mainly the music industry. We look after membership, admin, social media, member communications, conference management and website development on behalf of the association. Then I trained as a life coach, as you do, but don’t practice because it’s far too scary!  And I have this business called Marketing4Writers, which is to support and coach writers of popular fiction so they can sell more books. Oh!  And I’m attempting to write a romance novel. ‘Attempting’ being the key word.

The thought of having to market ourselves and our products is like kryptonite to the author. We’re terrified of it; the very thought sends us into a sobbing heap. So, how important is marketing to today’s author?

So can I put my life coach hat on for a moment? This is what brought me to set up marketing4writers. It was seeing writers spend hours tearing themselves to bits over ‘this marketing monster’. Getting themselves so upset about needing ‘to do it’ or spending time on it and seeing no results.  Or just deriding it or deriding the publisher for not doing it for them. Marketing doesn’t have to be hard. It doesn’t have to be scary. And it most certainly shouldn’t terrify anyone or make them sob in heaps. It’s like anything, when you know how it just becomes second nature. A bit like driving a car. My first lessons were horrible! You have no idea how many times my instructor took over the controls. But now I jump into the car and don’t think twice about how to make it go where I need it to because I know how and it’s second nature. The problem with marketing is that bad marketing is very visible and annoying, so people think that’s what they need to do. It’s not.  Good marketing is almost invisible, not because it’s sneaky or manipulative but because you’re talking to the people who want to hear from you, so they don’t think of it as ‘marketing’. And it’s certainly not posting interminably on social media to say ‘buy my book’.

So back to the question: how important is marketing to today’s author? Totally critical.  But you knew that already, right? I’m not sure there ever was a time when you could just write a book and it would magically be discovered and you’d become a millionaire overnight, but that time certainly isn’t now. As we all know, the issue now is discoverability in a way it never has been to the same extent before. There are now almost no barriers to loading a book to Kindle and the problem is that a lot of people who ought not (yet) do. The issue, though, is two fold:

  • Discoverabilty: the right people hearing about and finding you book
  • Quality: convincing people that once they’ve found your book it’s worth buying

Everyone focuses on the first point but the second is also important. You may think what’s the fuss when the book cost less than a cup of coffee but that’s not the point.  What was the buyer doing when they bought your book?  They were buying the anticipation of entertainment.  They sat down to read, investing their precious time, to be entertained.  And then the book let them down.  Now they feel robbed and that’s why then they complain it can be out of all proportion to the actual cost.  Even when the book is free. Readers, though, are now getting smarter.  Having been burned a few times, they are now looking for clues about whether this book is going to be worth investing their time and their hope in. That’s another reason why your brand (author) platform and marketing are so important.

marketing-strategy

Is it possible to do too much marketing? (Asks she who will never be accused of too much. Too little? Sigh. All day every day.)  

Oh yes, it is possible to do too much marketing. It’s also possible to spend too much money or time on marketing. And it’s also all too possible to be doing quite the wrong marketing.

I loved your RWA workshop with Sarah Mayberry. I would so it all again in a flash – only next time take a day to do it so I can retain it! In that workshop you spoke a lot about Taking Control. Can you elaborate?  

Glad you enjoyed it. It was a blast working with Sarah.  One of life’s good people.

Taking control means nothing more complicated than making a thoughtful, purposeful plan. Too many writers don’t make a plan.  That means they have no idea where they’re going, they have no idea if they’re achieving anything useful, and they have no idea if they’re getting anywhere.  Imagine if your job was to build a bridge across a lake.  Would you do that by throwing in pebbles, one at a time?  The ripples each pebble makes are going to be really pretty, but throwing pebbles into a lake ain’t never gonna make a bridge. Yet that’s what many are doing.

So what sort of plan do you make?  The model I use is called a sales funnel and Kaz asked that question next so I won’t outline it here.  

You also make mention of the Sales funnel. Can you explain?

The sales funnel is a simple model that helps writers think about, plan, implement and review their marketing.  (Review!  So many people don’t review!) It’s about what I outlined above: taking control!

A sales funnel is about recruiting likely strangers (not just any old person) and building a relationship with them of ‘know, like and trust’.  As they get to know you, hopefully they move along the funnel to become acquaintances, friends, fans and then super fans.  People, of course, though aren’t predictable, so some will come in as fans and some will exit as friends.  Some may stick at friends, but progress no further. That’s life. What is also normal is that the numbers you recruit will dwindle as they progress towards super fans, which is why it’s important to be always recruiting. You need to be always bringing in new likely strangers to your funnel.

With a sales funnel you look at every activity you do and assign it a purpose. You add more activities or remove activities accordingly so you have the plan you need. That means it also fits your available time and budget. You optimise those activities, which simply means making them the best they can be.  You then connect everything up so it’s funnelling readers along a path and not just one of those pebbles going into the lake.  The heart of the plan is your website and your email list, but as writers you also have the great benefit of e-retailers, and your marketing plan needs to include optimising your product (the books) and presence in those e-tailers.  That’s part of your sales funnel.

With a sales funnel you work with an end in mind and don’t confusing activity with outcomes.

You set time frames, milestones, budgets and a date for a review. So many people don’t review. Or panic after a few weeks because ‘nothing is happening’ so they dump their plan and switch to another one.  Erk.  
marketing 4 writers You can find a copy of the presentation (on Sara’s site) used at RWA here:

http://www.marketing4writers.net/rwa-conference-workshop-with-sarah-mayberry.html

Which social media platforms should the author be focussing on?

Number one is Facebook.  It’s tougher to get results now from Facebook, but that’s because it’s become so popular because it works. So I’d say for social media your number one choice should always be Facebook.  A business page and not a profile.  Yes Facebook has the infamous algorithm, but don’t listen to anyone who say that Facebook is using that algorithm to limit who sees your posts to make your advertise.  That’s not true.  Or that they’re limiting you to 6% of your fans. Nope. Those myths have appeared largely because, as I said, it’s harder to make Facebook work for you now plus there are a lot people out there who want to sell you courses about how to use Facebook. It suits them to blame Facebook.  Yes, you do need to know something about how the algorithm works (and Facebook isn’t going to share all the details with the world because that’s their proprietary property) but a lot of it comes down to you. That’s not comfortable to know, sometimes. But if your posts aren’t getting any reach it means there were better ones out there and those got ‘served’ to your fans instead.  The deck is not stacked against you.  The hard truth is that you just have to get better at this Facebook thing.

So that’s my Facebook rant.  What other platform should you consider? Depends on how much time you have.  It’s much better to do Facebook well than to skimp it because you’re also managing another two or three of even four platforms as well. I’d usually suggest Twitter as your second string, if you have time for it.  I am just discovering the joys of Instagram and that’s fantastic but you need to be sure it’s for you because it is very specific in how it works.  You need to have great images, you can’t add live links and you can’t schedule your posts (easily).  Pinterest is great for creating private boards where you can keep the pics you used for your research or inspiration, and then you can make them public as part of your book launch.

I hope that doesn’t sound too boring or arduous. I’ve tried to summarise what is a day’s worth of workshop and that’s never that easy to do! Those who are organic writers and like to just jump in are usually going cross-eyed at this point. The reality is that you can do that when marketing, but it makes it so much harder and more frustrating. Sometimes a bit of planning is a good idea. Can you trust me on this?

marketing 2

I read that the most valuable tool in the authors marketing tool box is an email list. And that a survey showed that an email subscriber is 24 time more likely to buy a book than through FB.  Do you share this opinion?

Rule number one in marketing (there are a lot of number one rules, by the way) is to remember that figures like this are averages often being used by someone to sell a course or a way of thinking or their ‘insider expertise’. And, anyway, we all know where averages come from, don’t we?  There are so many other variables here that my brain spins trying to work out if this figure has any meaning at all!  Do I think email is important? Yes.  But I also don’t think Facebook is a great medium for selling books, so that anything is 24 times better than Facebook is more a reflection on Facebook than on what it’s being compared with.  For a writer, Facebook is much better used as a place to recruit those likely strangers and build relationships with them.  Facebook, itself, is about entertainment and connection.  Who sits down of an evening and thinks “I’ll just have a look at Facebook to see what people want to sell me?”  By all means advertise to your fans when there’s a new book out, or post about it, but email is usually a much better option for converting to sales.  Those people have trusted you with their email address.  That means they’re much more engaged than your average Facebook fan.  There seems to be a riff at the moment that ‘email is over’ and ‘readers don’t want to get emails any more’.  Hmmmm…. no.  Like Facebook, email is really good at what it does so every writer and her dog has jumped in and now you have to be better, sharper and deliver more value to get people to stay on your list and open the emails you send them.

What are the top three things an author should be doing right now?  

    1. Creating a thoughtful, purposeful plan (a sales funnel)
    2. Implementing that plan
    3. Reviewing that plan

What’s the worst thing we as authors can do?

Have no plan.  That’s it.  No plan is the worst thing you can do. No plan is worse than a mediocre plan. It’s probably worse than the wrong plan.  Probably.

marketing-management 4

Finally, if it’s not a repetition of Q#7, what is one thing we could do today to make a difference?   

So that’s the converse of the previous question.  The one thing you could do is to have a plan. Is this getting repetitive?  It’s easy to say that you should have a plan, but researching and creating that plan is the important part.  You can dream up a plan in 10 seconds, but unless you’re some marketing Einstein then it’s probably useless because it hasn’t been created thoughtfully and purposefully. It takes a while to build a sales funnel, but it’s not arduous and I use coloured textas which helps make it a bit more fun.  A bit.

Do you think blog tours are worthwhile?

Hmmm.  Depends why you’re doing them.  If it’s about sales, then maybe not.  If it’s about brand awareness then why not?  In marketing jargon you need to be looking at ‘multiple touch points’ with your readers.  And a bit more techno-speak, you need to think about which of your activities are about brand awareness and which are about sales. That’s where inexperienced marketers can go wrong.  They try to make everything about sales.  As I mentioned before, these days most people buy from people they know, like and trust.  From time to time we will buy from strangers, but not often.  If you do a blog tour to build that know, like and trust that’s fine.  If you want to sell, sell, sell, then there are probably better ways to spend your time and money.  One final point with blog tours is to make sure that you are matching your readers with that blog’s readers.  There’s no point getting promotion on a blog that doesn’t reach people who will likely read your books.  
How can our readers contact you?

Come and join me on my Facebook page or website.  Hey, why not sign up for my email? Or I’m at sara@marketing4writers.net

https://www.facebook.com/MarketingforWriters/

http://www.marketing4writers.net/

Thank you sooo much Sara! I’m going to be (again) pouring over your past posts. You’re a busy lady and we here at Aussie Owned & Read are most grateful for your time, especially given the extensive answers you’ve provided. Mwah times plenty!  You’re a true star.

And now – the winner of my giveaway (in a blind draw) is:  Drumroll…..

Billiondollarprincess!  Please contact me at kazdelaney01@gmail.com with your deets! Thanks for commenting! 

kaz-profiles-022Multi award winning author Kaz Delaney has published 72 novels for kids, teens & adults over a 20 year period, many of them  published in several languages. Thirteen are YA novels and every one features a romance. Her latest is The Reluctant Jillaroo, Allen & Unwin, 2016 .  She is repped by JDM Management.

Marketing and the Potato

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As we’re talking about marketing this month, Rebecca and Heather are going to look at what different mediums have done to successfully gain viral attention. In doing so, we will break down what it was about these marketing ideas that we found so memorable, and look at how they would translate to literary world.

We’ve broken these marketing ploys down into four key areas.

curiosity

Curiosity

These were the ideas that piqued the interest of the target audience by withholding information. By only providing part of the picture, the consumers were left searching for more pieces of the puzzle which generated hype and global reach across social media.

Cards Against Humanity’s 30 second Super Bowl ad that was a single shot of a potato with the word ‘Advertisement’ etched into it. It sent Twitter into a frenzy as people tried to decipher what it was about.

wsj0kg7

Yes this is the real ad

The Matrix and u: hygiene products used a similar concept. The Matrix advertising posed a single question–‘What is the Matrix?’ and had a site set up devoted to the furthering the riddle.

 

Every question needs an answer.

deanmitchell-vip-logo-web-1

The VIP Experience

Making your consumer feel extra special is a great promotional tool and can create lifetime loyal followers. Everyone loves exclusivity, we all want to be a part of that little club. As a whole, people have the ‘keeping up with the Joneses’ mentality, we all want more, and when given the opportunity to get something extra that no one else has, we more often than not jump at that chance. So using this main trait to your marketing advantage would be wise.

For example, Skyrim offered up free games for life, but the catch was you had to name your baby that happened to be born on the games release day the main protagonists name… Dovahkiin. You didn’t need to be one of the two people who actually went ahead and won this prize to be drawn to the weirdness of it.

You don’t have to offer up anything this dramatic, limited editions, and VIP tickets are also great draws, with youtube unboxing a few simple extras thrown in with your advanced copy can be the star of the show.

scavengerhunt2

Interactive

Get people involved. Get them out looking, talking, generating excitement. Your audience are the ones who can get word of mouth happening in a big way and usually drive awareness the most.

A great example of this was Bioshock 2s launch when they created ten promotional images and hid them in wine bottles. These bottle were placed on ten random beaches worldwide with clues for their fandom on where to find them. Kind of like what Willie Wonka did with his golden tickets.

You could do something as simple as a blog post scavenger hunt with a prize for the winner. Facebook launch parties get the word out there, and Instagram is a good tool to get people taking pictures with your book on launch day.

Resident Evil utilised a gruesome scavenger hunt where the winner would receive a trip to Africa. Which leads us into our next point.

shock

Shock Value (Trigger Warning for extreme gore)

Resident Evil rules shock value. Shocking your consumer either works for or against you, but either way it generates conversation.

With the scavenger hunt, body parts were scattered around Trafalgar Square in London. This gained media attention, and freaked out the onlookers who weren’t involved in the stunt.

Resident Evil 6 went a step further with a butcher’s shop in London’s famous meat-market Smithfield, selling ‘human meat’. The proceeds of these sales went to the Limbless Associate, a U.K. charity for amputees and other who have lost limbs.

rebutchers

Now, obviously you don’t need to go to these extremes, but pushing the envelope so your marketing ideas go against the grain of what society deems ‘acceptable’ or ‘expected’ is one way to get people talking.

The most important part of marketing is to be memorable.

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Marketing: How to lose friends and not influence people

Since it’s something we here at AO&R struggle with to varying degrees, the crew decided that this month’s topic should be marketing, so hang on to your seats … we’ll be talking about marketing mayhem all month!

Now, I’m no expert on the topic, but I am a regular Joe on all the regular social media channels. I also have friends who frequent social media, many of which are young adults. I’m a member of a few author groups and a few reader groups both on Facebook and in real life. So although I’m not experienced when it comes to marketing, I do hear a little about what people love and hate. There’s one thing all these groups and people have in common (other than a love of books) and I hear it often.

From the authors:

How can I get people to buy my book?

From the readers / regular Joes:

How can I empty my social media of all the crap people are trying to sell me?

Oh dear.

As authors we want visibility. We want people to know our books exist, to read them, to love them, to gossip about how great they are, but how do we make this happen? I’m going to leave that to someone else to expand on and instead let’s talk about the quickest ways to make that not happen.

“If I’ve never heard of the author or my friends haven’t recommended them I won’t one-click.” (facebook group)

“If an author continually posts ‘buy my book’ I unfollow them. I want to know the real them, not the sales pitch.” – R (facebook readers group)

“If I wanted to buy a book I’d go to the bookstore, not click a link.” – Miss S (14 y.o)

“Authors are all the same on twitter. They just want you to buy their (retracted swear) book. BORING.” (facebook group)

“I hate seeing ads in my facebook feed. They get in the way of my real friends’ posts.” – V (School mum)

“I followed my friend’s page to support her, but…” *shrugs* “she just wanted me to share her posts and all that did was annoy my friends. I eventually stopped reading her posts.” – H (school mum, in reference to a small business, not books)

“I didn’t click to buy it the first time she posted. What makes her think I’d buy it on the tenth post?” – H (school mum)

Righty-o then. :/

 

Given all of those comments, how does one market on social media? Carefully, thoughtfully, and with the right targeting. If you want to stop potential readers from scrolling right on by I suggest avoiding the following things I’ve heard our target audience complain about;

  • Unsolicited ‘crap’ in news feeds
  • Being expected / asked to share promotional material
  • Only seeing promotional posts / photos from a page
  • Continually seeing pitches for the same product
  • Instragam photos full of nothing but the author’s books
  • Tweets full of links (sorry tweeps)
  • Facebook posts flogging products, even if it’s a different product each time
  • Spamming (that’s the same thing posted/shared repeatedly)

So, how can an author effectively sell books? Lauren had some great ideas on Facebook marketing last week. And if you tune into the rest of our posts this month, AO&R’s other bloggers have some more ideas. Plus, we’ve got an interview with an industry professional coming up, so make sure you stay tuned. There is sure to be some great advice!

While we’re waiting though … what’s your biggest pet peeve when it comes to social media advertising?


Stacey Nash hates marketing with a passion, but she’s trying to get better at it. How else will she sell all the great books she’s written? To find out more about Stacey’s books or to connect with her on social media (where she tries to be engaging), check out these places: www.stacey-nash.com, instagram, twitter, facebook.

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Review: King’s Cage by Victoria Aveyard

 

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In this breathless third installment to Victoria Aveyard’s bestselling Red Queen series, allegiances are tested on every side. And when the Lightning Girl’s spark is gone, who will light the way for the rebellion?

Mare Barrow is a prisoner, powerless without her lightning, tormented by her lethal mistakes. She lives at the mercy of a boy she once loved, a boy made of lies and betrayal. Now a king, Maven Calore continues weaving his dead mother’s web in an attempt to maintain control over his country—and his prisoner.

As Mare bears the weight of Silent Stone in the palace, her once-ragtag band of newbloods and Reds continue organizing, training, and expanding. They prepare for war, no longer able to linger in the shadows. And Cal, the exiled prince with his own claim on Mare’s heart, will stop at nothing to bring her back.

When blood turns on blood, and ability on ability, there may be no one left to put out the fire—leaving Norta as Mare knows it to burn all the way down.

King’s Cage is book three in the Red Queen series.

Okay, so for some reason this series seems to be getting a lot of hate, and as soon as there’s hate, people get nit-picky and shred every aspect of the book.

For my reviews, I base them solely around whether the author kept me entertained. Did they do their job and help me escape the real world? Yes? Automatically at least three stars. The other two stars are made up by taking a deeper look at a combination of character, pacing, and plot.

I don’t believe this book deserves the one- and two-star ratings it has been getting but art is subjective and everyone has the right to an opinion. This is simply mine.

I loved King’s Cage. Mare is such as easy character to sympathise with because she is driven and has agency. She spends a lot of this book locked up as Maven’s—what? Toy, maybe?—and while that could have gotten old fast, Aveyard really amped up the tension between them in a way that keeps interest. She’s also grown a lot as a character. There is less brashness and more calculation and planning. I also loved when she realized what a dick she had been to people in the previous book.

As always, the secondary characters are on point. Evangeline is one of those characters I love to hate and she did not disappoint. There is a lot of character growth for her also, and it is easy to see her being the hero of her own story, despite how much her story opposes Mare’s.

Cal is still a hunk, and Maven is still a twisted lunatic who was absolutely addictive to read.

I with there had been more Kilorn, and I really could have done without Cameron’s chapters—I didn’t even remember who she was to begin with so by the time I figured it out, I really didn’t care.

And while they’re still knee-deep in rebellion, Aveyard has added even more depth to the struggle for Norta, which I won’t spoil here, but has the potential for her to take book four in literally any direction.

My favourite parts of all these books are the battle scenes, and the scenes with Mare and Cal. So it makes sense that when her and Cal finally reunite in the midst of a huge fight, I was cheering them on for days.

This book is on the long side for YA fiction and thankfully keeps the pace throughout. There are no areas that felt boring or stale and I loved how one scene propelled you on to the next. After Mare escapes Maven though, it kind of felt like the rest of the book was all epilogue, getting ready to set up the next book. I mean, there were some great scenes in there and I still loved reading it, but the highlight of the book was definitely Mare’s escape.

I totally recommend this book.

 

AOaR_5star (3)

 

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Heather is rep’d by Carrie Howland of Empire Literary

3 Facebook advertising tips

This month at Aussie Owned and Read, we’re talking marketing for authors.
When I first learned of this month’s topic, my first idea for a post went something like this:

  1. Hi, fellow authors. My advice is to study what I’m doing, and then:
  2. Don’t do it. It’s not working.

But that’s not entirely true. After all, I know some marketing activities have worked for me, resulting in sales of books and website views, more than I could have ever dreamed of.

Sound too to be true? That’s because in a way, it is. This method I’m talking about requires patience. It requires time and research. And worse than all that? It requires money.

Yep. I’m talking about Facebook advertising.

While this doesn’t work for everyone, I have found it to work for me quite successfully in the past after carefully choosing my target audience. Here are my top tips on making it work for you:

  1. Know your market. It can be daunting, picking the right key words for your ads, and I have to admit that it took me a bit of trial and error. Start with the basics (e.g. eBook readers) and then narrow it down to those who like reading eBooks AND enjoy your genre AND say, read books by one of three authors you would consider yourself on par with. Keep defining your audience until you are quite narrow.
  2. Have a compelling call-to-action. While I have found some generic book ads work well, the ones that have worked the best for me are either promoting a limited-time-only price reduction, or a new preorder. I think that implication that if they don’t get on the gravy train now, they could miss out, makes people more likely to one-click.
  3. Create strong ad content. Whether you’re using a teaser quote image from your book or a combination of the cover and perhaps five stars, letting browsers know this book has been positively reviewed, make sure your visual is clean, consistent, and fits with Facebook’s recommended size guidelines. I also always include my tag either in my image or in the copy of the ad, to try and intrigue the audience, for example in the below: Young woman at the beachThe quote about her world turning upside-down had quite a few readers leaving comments and I believe helped this ad convert to many sales.

There are many courses out there telling you how to use Facebook ads, including a great one by Mark Dawson. I by no means proclaim to be an expert, but these are just a few things that I have found work for me.

What about you? What do you think of Facebook advertising?

Lauren 1

Lauren K. McKellar is the author of romance reads that make you feel. You can find her on Facebook here or at her website.

The Marketing Monster

Single Number 4 Stamp, Grunge Design

Next month will mark the four year anniversary since my debut novel was published. That novel and the subsequent trilogy has made me proud since then, but mostly, the trilogy and all my books since have taught me many things about the dreaded Marketing Monster.

Now, I don’t claim to be an expert by any means, but I have watched as what works and what doesn’t has shifted and changed over time. Blog tours used to be *the* thing; now they’re utilized more for garnering reviews and a little extra exposure.

Then, there were Facebook parties. They flooded Facebook to the point that people don’t really like them anymore.

So, here are my little tips of things that are tried and true for me.

Cute TriceratopsFirst up, cover reveals and blog tours. Yeah, I know I just said blog tours are going the way of the dinosaur, but they still have a role to play, and can be utilised. Firstly, tons of reviewers follow the big blog tour “companies.” With the most crucial way to market being reviewers, any way you can get your book into readers hands is worthwhile.

With cover reveals, now that Amazon does pre-orders, this is a great way to create some buzz before the book’s release. People are attracted to the shiny new cover, and can click on the pre-order link.

Blog tour/cover reveal hosts I recommended:
http://yaboundbooktours.blogspot.com/ – this is mostly YA, and it has a great cover reveal plus tour package price.
http://xpressobooktours.com/

https://www.bookbub.com/ – Bookbub has done wonders for my book sales. Thanks to 99c sales promoted on this site, Kiya has made it into the top 30 kindle books on Amazon several separate times. I’ve heard that Bookbub’s popularity is fading, but I am yet to see it.
Make sure you set up an author profile and claim all your published works. That way, people can follow you and will get emails when your books have a deal going. Down side, getting your sale on this site is pricey, but can certainly be worth it. Often you can discuss Bookbub options like a split pay etc with your publisher. If Bookbub is not an option, there are plenty of other sale promotion sites that aren’t as expensive you can utilize.

https://s2.netgalley.com/ – This is a site for reviewers to grab hold of galleys in exchange for honest reviews. These reviews can be hit and miss, but I have picked up several amazing and steady reviewers through this site. Again, it’s pricey, but Xpresso (above) does do co-pay options as well as http://www.authorservices.patchwork-press.com/netgalley-co…/

Make sure you are set up on social networks. Depending on your audience, you should have a FB author page, twitter, blog or website, and other sites like G+, Instagram, snap chat etc.

Fantasy bookDo FB Live. It’s the new rage. Readers like to be interactive with their authors, and this is the next best thing to real life.

Call bookstores, libraries, schools etc to set up signings where you can meet potential readers face to face. It makes their experience while reading more personal, and they are more likely to remember you for the future and to tell their friends and family about you. If you do schools or younger audiences, make sure to have postcards or bookmarks with the purchase links because they are all tech addicts and generally prefer ecopies. Events where you can be their in person really help solidify your reputation.

 

Any questions or anything to add? Go ahead and leave them in the comments!

Katie Teller

Katie Teller is a writer of NA fiction. Her debut, Kiya: Hope of the Pharaoh, has sold more than 60,000 copies. You can find out more about Katie, the Kiya trilogy, and her other books on twitterfacebook, instagram or at her own blog.